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Released on: 10 Nov 2017 • Rated: PG-13 • Runtime: 84 min

Genre: Comedy

Director: Seth Henrikson
Writer: Daniel Meyer
Actors: Michael Shannon, Judy Greer, Ron Perlman

Plot: Maynard, a beloved local businessman, is mistaken for the legendary Bigfoot during an inebriated romp through town in a makeshift gorilla costume.

Box Office Gross: N/A

Awards: N/A








Pottersville, directed by Seth Henrikson and released in 2017, is a quirky holiday comedy that takes an unconventional approach to the Christmas spirit. While the film has its endearing moments and a talented ensemble cast, it falls short in fully capitalizing on its unique premise, resulting in a somewhat disjointed and tonally uneven experience.

The plot follows Maynard Greiger (Michael Shannon), a small-town store owner who, in a drunken stupor, inadvertently sparks a Bigfoot sighting. The town becomes a tourist attraction as people flock to witness the mythical creature. As Maynard embraces his newfound fame, he inadvertently brings joy and unity to the community. The film explores themes of identity, redemption, and the power of community coming together in times of crisis.

Michael Shannon delivers an unexpected and charming performance as the quirky protagonist, infusing Maynard with a blend of awkwardness and genuine heart. His commitment to the role adds depth to the character, and his chemistry with the supporting cast is a highlight.

The direction by Seth Henrikson captures the small-town atmosphere and the whimsical nature of the story. However, the film struggles to find a consistent tone, vacillating between broad comedy and more heartfelt moments, resulting in a lack of cohesion that detracts from the overall impact.

The score of Pottersville offers a festive and lighthearted backdrop to the story, effectively capturing the holiday spirit. It complements the on-screen events without overshadowing the narrative or the performances.

Cinematography and production design create a cozy and picturesque setting, with the town of Pottersville exuding a quaint charm. The visual aesthetic adds to the film’s holiday ambiance and provides a pleasing backdrop for the comedic and dramatic moments.

While Pottersville doesn’t rely heavily on special effects, the limited use of them serves the story adequately. The film focuses more on the characters and their interactions, utilizing the humor and charm of the ensemble cast to drive the narrative forward.

Editing and pace fluctuate throughout the film, with some scenes feeling unevenly paced and others capturing the comedic timing effectively. The editing choices could have been more cohesive to maintain a consistent rhythm and flow.

The dialog in Pottersville ranges from witty and humorous to forced and contrived. While there are moments of genuinely funny and heartfelt exchanges, there are also instances where the dialog feels forced and unnatural, hindering the overall impact of certain scenes.

What resonates most with Pottersville is the underlying message of finding joy and connection amidst unusual circumstances. The film explores the themes of acceptance, forgiveness, and the power of unity, reminding us that even in the most unexpected situations, a sense of community and togetherness can emerge.

In conclusion, Pottersville is a mixed bag, offering moments of charm and holiday cheer but struggling to maintain a consistent tone throughout. While it has its endearing qualities and a talented cast, the film falls short in fully realizing its unique premise. Nevertheless, it still manages to evoke a sense of seasonal warmth and delivers a few heartfelt laughs along the way.

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